Cammuso Tag: opera

Cammuso Tag: opera http://www.cammuso.org.uk/forums/ Cammuso Tag: opera en Wed, 08 Feb 2012 16:00:53 +0000 ntb24 on "Cuos Mainshow - Die Fledermaus - Audition Notice - Production Team Applications" http://www.cammuso.org.uk/forums/topic/501#post-522 Sat, 22 Oct 2011 13:52:42 +0000 ntb24 522@http://www.cammuso.org.uk/forums/ Please see below about the chance to be audition for this year's CUOS Mainshow - DIE FLEDERMAUS! The biggest and most exciting production of the year! This is a unique opportunity to be involved with a fantastically thrilling show to be held at West Road Concert Hall, and is the highlight of the Cambridge University Opera Society's performance year. We are also advertising for an Assistant Musical Director and Principal Répétiteur, and have opened up applications to be part of the production team - see below. Please email Natasha Brice on ntb24 for more information or to apply. We look forward to hearing from you! Die Fledermaus Production Team Cambridge University Opera Society present DIE FLEDERMAUS by Johann Strauss II CUOS Mainshow February 23-25th 2012 – West Road Concert Hall Prince Orlofsky is throwing a party, and Falke has orchestrated some real-life drama for the Prince’s entertainment. All in revenge for the time his best friend Eisenstein left him in the middle of town, passed out and dressed as a bat... Everyone who’s anyone is going to be there. They just don’t want each other to know. Eisenstein should be in prison so he’s keeping a low profile, especially as police-chief Frank is also there in disguise. Eistenstein’s wife, having left her former lover locked up in her husband’s prison cell, is also keen to conceal her identity. Their maid Adele should be tending to her sick aunt, not partying with her sister. With the help of a bit of waltzing and copious amounts of champagne, everyone’s identities will be exposed, and their philandering revealed. Cambridge University Opera Society’s production places this much-loved farce in the privileged world of twenty-first century young socialites. Bubbling with infectious energy and fizzing with melodious charm, Strauss’s Die Fledermaus will leave you as giggly as those onstage (champagne optional). AUDITIONS (including one NON-SINGING role) Thursday 27th October Friday 28th October Saturday 29th October <a href="http://www.doodle.com/scn7pa4w263kz3wa" rel="nofollow">http://www.doodle.com/scn7pa4w263kz3wa</a> Please sign up on the doodle provided, providing your name, email address and choice of aria in the comment box of your selected time (and please specify if you are auditioning for the non-singing role Frosch). We will email to confirm the time and location of your audition shortly. ----------------------------------------------------------- We will be auditioning for all roles. There are a number of small parts as well as the standard lead roles, a large chorus and one sizeable non-singing role (male). There is a real opportunity for singers and actors alike in Fledermaus, so whether you have a little experience or tons of it, do come along and audition. Please bring an aria from the operatic repertoire you think best shows off your voice, bearing Die Fledermaus in mind. Auditions will last approximately 15 minutes and will include a little bit of direction as well as a sing-through of your chosen aria. Don’t be offended, therefore, if we don’t get to hear your entire aria! If you wish to audition only for the non-singing role, the jailor Frosch, please prepare a comic monologue. Please email our producer, Natasha (ntb24@cam.ac.uk), if you have any questions. ------------------------------------------------------------- ASSISTANT MUSICAL DIRECTOR/PRINCIPLE RÉPÉTITEUR Ideally we are looking for someone who can fill the role of both Assistant Musical Director and Principal Répétiteur, however the positions may well be filled by two different people. In an AMD we are looking for someone with experience in singing or vocal direction. The job of the AMD would be to assist the Musical Director in rehearsals and in leading extra principal and chorus rehearsals. The time commitment of an AMD would not necessarily be great, but would be a fantastic experience for someone looking for an avenue into conducting. We are looking for a highly competent pianist (and good sight reader) for the core role of Principal Répétiteur. This is a crucially important position within the production and would involve participation at most rehearsals accompanying both principals and chorus. To apply, please email Alex Beetschen on <a href="mailto:ab836@cam.ac.uk">ab836@cam.ac.uk</a> by 11pm on Tuesday 25th October. ------------ Technical Positions Vacant Assistant Producer Set Designer Technical Director Deputy Stage Manager Stage Manager Assistant Stage Managers Carpenter Web Designer Lighting Designer Chief LX LXs Education Team Costume Designer Costume Assistant Email Natasha Brice on ntb24 for more information or to apply The biggest and most exciting production of the year! We are opening applications for all production roles. This is a unique opportunity to be involved with a fantastically thrilling show to be held at West Road Concert Hall, and is the highlight of the Cambridge University Opera Society's performance year. We are looking for creative and dedicated individuals who would relish the chance to put on a high profile production in a professional venue and to be part of a dynamic, experienced and inspirational production team. Please send in a brief theatrical CV outlining any relevant experience for your desired position. All levels of experience are welcome to apply. We look forward to hearing from you! ab836 on "Assistant Musical Director/rÉpÉtiteur For Die Fledermaus (cuos Mainshow)" http://www.cammuso.org.uk/forums/topic/500#post-521 Sat, 22 Oct 2011 09:42:44 +0000 ab836 521@http://www.cammuso.org.uk/forums/ Cambridge University Opera Society Present DIE FLEDERMAUS by Johann Strauss II Seeks: ASSISTANT MUSICAL DIRECTOR/PRINCIPAL RÉPÉTITEUR Prince Orlofsky is throwing a party, and Falke has orchestrated some real-life drama for the Prince’s entertainment. All in revenge for the time his best friend Eisenstein left him in the middle of town, passed out and dressed as a bat... Everyone who’s anyone is going to be there. They just don’t want each other to know. Eisenstein should be in prison so he’s keeping a low profile, especially as police-chief Frank is also there in disguise. Eistenstein’s wife, having left her former lover locked up in her husband’s prison cell, is also keen to conceal her identity. Their maid Adele should be tending to her sick aunt, not partying with her sister. With the help of a bit of waltzing and copious amounts of champagne, everyone’s identities will be exposed, and their philandering revealed. Cambridge University Opera Society’s production places this much-loved farce in the privileged world of twenty-first century young socialites. Bubbling with infectious energy and fizzing with melodious charm, Strauss’s Die Fledermaus will leave you as giggly as those onstage (champagne optional). ------------------ Ideally we are looking for someone who can fill the role of both Assistant Musical Director and Principal Répétiteur, however the positions may well be filled by two different people. In an AMD we are looking for someone with experience in singing or vocal direction. The job of the AMD would be to assist the Musical Director in rehearsals and in leading extra principal and chorus rehearsals. The time commitment of an AMD would not necessarily be great, but would be a fantastic experience for someone looking for an avenue into conducting. We are looking for a highly competent pianist (and good sight reader) for the core role of Principal Répétiteur. This is a crucially important position within the production and would involve participation at most rehearsals accompanying both principals and chorus. To apply, please email <a href="mailto:ab836@cam.ac.uk">ab836@cam.ac.uk</a> by 11pm on Tuesday 25th October. rwm41 on "Musical Director, Director And Producer Applications Open For G&s Show Yeomen" http://www.cammuso.org.uk/forums/topic/416#post-430 Tue, 02 Nov 2010 15:09:07 +0000 rwm41 430@http://www.cammuso.org.uk/forums/ Cambridge University Gilbert and Sullivan Society “Yeomen of the Guard” Approx. Week 4 (15th February – 19th February) - Venue tbc Vacant Positions PRODUCER DIRECTOR MUSICAL DIRECTOR We are delighted to be opening applications for one of the darkest and grandest Gilbert and Sullivan’s, Yeomen of the Guard. Perhaps one of the most engaging and exciting works, it is much loved for both its fascinating music and witty lyrics. This work is one of the finest and most operatic scores Sullivan wrote featuring magnificent choruses, spritely patter songs, spectacular arias, and possibly one of the most exquisite duets of all, "I have a song to sing, O!" The show, set in the Tower of London in the reign of Henry VIII, tells the story of Colonel Fairfax, under the sentence of death upon false charges, wanting to marry before he is executed, so that his cousins who pressed these charges would not inherit his estate. Jack Point, a travelling player, agrees to allow his fiancée, Elsie Maynard, to be Fairfax’s wife, allowing Elsie to be a very wealthy widow within hours. However, Fairfax’s friends spring him from the Tower, leaving Fairfax alive with Elsie being more married than she was expecting, and Jack’s future wife being married to someone else! Jack tries all contrivances to win back Elsie, but will all his endeavours be in vain? Further information about the play can be found at <a href="http://math.boisestate.edu/gas/yeomen/html/index.html." rel="nofollow">http://math.boisestate.edu/gas/yeomen/html/index.html.</a> To apply, please email Frank DiTraglia <fditraglia@gmail.com> by midnight Sunday 14th November, with including a brief description of relevant experience. Applicants may be invited to an interview at their convenience. tkw23 on "Opera Singer Needed For Charity Event 11 July" http://www.cammuso.org.uk/forums/topic/386#post-399 Fri, 18 Jun 2010 08:14:14 +0000 tkw23 399@http://www.cammuso.org.uk/forums/ Mental health charity in Cambridge looking for an opera singer to sing ‘Barber of Seville’ style on a punt for a ‘wet shave with a difference’ fundraiser between 11am and 1pm an Sunday 11th July! In short, the event is going to involve Piero from Piero’s hairdressers on Mill Road wet shaving high profile individuals in Cambridge on a punt – the lucky customers will not only be treated to a wet shave but will be able to enjoy the wonderful backdrop of the colleges, the river, a glass of Italian wine and *hopefully* some live Italian opera, ‘Barber of Seville’ style! Money that Piero raises will be used to help fund our annual members’ summer day trip, which enables people to take a break away from Cambridge in a supportive environment. For many, this day trip is their only holiday of the year. Do you think that you might be able to help us to ensure that the wet shave experience is going to be one like no other? If so, please do get in touch. Much thanks and best wishes, Amanda Price Campaign Manager Lifecraft The Bath House Gwydir Street Cambridge CB1 2LW Information Office: 01223 566957 Direct Dial: 01223 477586 (I work at Lifecraft Wednesdays, Thursdays and Fridays) Mobile: 07861 735 628 (you can get me any time on this number) Personal email: <a href="mailto:amandaprices@hotmail.com">amandaprices@hotmail.com</a> (I check this every day) mlss3 on "Quartet/musical Acts Required For Suicide Sunday Garden Party." http://www.cammuso.org.uk/forums/topic/376#post-389 Fri, 07 May 2010 09:51:25 +0000 mlss3 389@http://www.cammuso.org.uk/forums/ Hi, I'm ents officer for the Jewish society and I am looking for a musical act to perform at the annual garden party running on Sunday 13th June from 3-5pm. String quartets, brass acts, opera etc. As long as it's unamplified (college garden rules). If you are interested please message me at <a href="mailto:mlss3@cam.ac.uk">mlss3@cam.ac.uk</a> Marc Shalet Fitzwilliam college cs516 on "Cambridge University Opera Society Main Show 2010 Auditions" http://www.cammuso.org.uk/forums/topic/289#post-301 Tue, 22 Sep 2009 19:16:01 +0000 cs516 301@http://www.cammuso.org.uk/forums/ We are delighted to announce auditions for the Cambridge University Opera Society Main Show 2010: --------------------------------------------------------- Debussy's Pelleas et Melisande, Lyric drama in 5 acts by Maurice Maeterlinck, to be performed in the original French language. 4 fully staged performances to be held in West Road Concert Hall in Feburary 2010 --------------------------------------------------------- Conductor - Christopher Stark Director - Madeline Claire de Berrie Producer - Ollie Jordan Language Consultant - Michele Murez Auditions will be held in from October 4th and candidates will be asked to prepare two short pieces, the first of which should be a short work of their own choice. As we will be performing Debussy's one complete opera in the original French, we recommend that the second prepared song should be in French, preferably an extract from the opera. Recomended extracts to be learnt for audition can be found on <a href="http://www.srcf.ucam.org/pelleas/" rel="nofollow">http://www.srcf.ucam.org/pelleas/</a> Those asked for recall will be set these extracts. Please contact both Christopher Stark on <a href="mailto:cs516@cam.ac.uk">cs516@cam.ac.uk</a>, and Madeline de Berrie on <a href="mailto:mcd42@cam.ac.uk">mcd42@cam.ac.uk</a> to arrange an audition. Roles are as follows: Pelleas (Tenor) Golaud (Bass) Melisande (Soprano) Arkel, king of Allemonde (Bass) Genevieve, mother of Pelléas and Golaud (Alto) The child Yniold (Soprano) (We are looking for a girl to play the part of young Yniold) A Doctor (Bass) (a minor but crucial role) A Shepherd (Bass) (minor role) Cambridge University Opera Society <a href="http://www.cuos.org.uk" rel="nofollow">www.cuos.org.uk</a> bdjc2 on "Svrsvm Corda 2009 - Cast Auditions" http://www.cammuso.org.uk/forums/topic/273#post-285 Tue, 26 May 2009 16:51:38 +0000 bdjc2 285@http://www.cammuso.org.uk/forums/ ‘SVRSVM CORDA’, a newly-commissioned opera based on the myth of St. Catherine of Alexandria, is pleased to open applications for leading cast members and chorus. This exciting work has been composed as part of St Catharine’s College’s celebration of the University’s 800th Anniversary, and features new music by Benjamin Cox to an original libretto by Edward Herring, both current students of the college, and will premiere at the College on SATURDAY 28TH NOVEMBER, 2009. This emotional story follows the life of Catherine of Alexandria, from her beginnings as a pagan to her martyrdom for her Christian faith. Inspired by a vision of her betrothal to Christ, Catherine begins preaching the Christian message, provoking the disapproval of her parents and catching the attention of the powerful Roman Emperor Maxentius and his loyal advisor Porphyrius. Having failed to disgrace her faith, Maxentius incarcerates Catharine. She subsequently converts the Emperor’s wife, Porphyrius, and the prison guards, resulting in their deaths. Driven to insanity, Maxentius orders Catherine’s tortuous death on a spiked wheel, but is thwarted when the wheel shatters because of ‘divine power’. Panic-stricken, Maxentius offers Catherine a final chance to repent, but her refusal to bow to his will leads to her beheading. Auditions will be held on SATURDAY 13TH JUNE (10AM-6PM) and MONDAY 15TH JUNE (9AM-4PM) in ST CATHARINE’S COLLEGE CHAPEL. To arrange an audition please contact the producer Sophie Henstridge (serh4@cam.ac.uk) in advance to arrange a time (auditions will last no longer than 10 minutes). Please specify whether you will require an accompanist and, if possible, your choice of repertoire. Singers are requested to audition with one or two pieces that demonstrate their vocal capabilities, and preferably adhere to the character for which they are auditioning. Available roles include: CATHERINE (soprano) EMPEROR MAXENTIUS (bass) PORPHYRIUS (tenor) QUEEN (mezzo-soprano) FATHER (bass/baritone) MOTHER (mezzo-soprano) 1ST CITIZEN (tenor) 2ND CITIZEN (baritone) CHORUS (SATB) For more information about the roles, please contact either Sophie or Ben (bdjc2@cam.ac.uk) bdjc2 on "Opera Directing Opportunity" http://www.cammuso.org.uk/forums/topic/263#post-275 Thu, 30 Apr 2009 22:22:39 +0000 bdjc2 275@http://www.cammuso.org.uk/forums/ 'Svrsvm Corda', a newly-commissioned opera based on the myth of St. Catherine of Alexandria taking place in November 2009, is pleased to open applications for a director. This exciting opera has been composed as part of St Catharine's College's celebration of the University's 800th Anniversary, and features new music by Benjamin Cox to an original libretto by Edward Herring, both current students of the college. It will premiere at the College on Saturday 28th November, 2009, and involve a cast of 8, a chorus and an orchestra of 25. We are looking for an enthusiastic and ambitious director to stage the work, the rehearsal process for which will begin shortly before Michaelmas term 2009. This would be an invaluable opportunity for any budding director. Previous experience is, although useful, by no means essential. Far more important is a keen interest in opera and direction, and the vision necessary to realize a new and exciting libretto theatrically with fidelity to the text and music. If you are interested, please email Benjamin Cox (composer) or Sophie Henstridge (producer) on bdjc2 or serh4 before Friday May 8th to arrange a friendly and informal interview. Please feel free to attach details of previous experience if you wish. cfp27 on "Turn Of The Screw - Auditions" http://www.cammuso.org.uk/forums/topic/221#post-232 Wed, 28 Jan 2009 11:02:43 +0000 cfp27 232@http://www.cammuso.org.uk/forums/ AUDITION NOTIFICATION: Britten’s chamber opera the Turn of the Screw underneath the Wren Library CHANGE OF DATES: May Week 2009, 18th – 21st June. The Wren Library colonnade provides an unrivalled setting for this intimate chamber opera. Its imposing classical majesty combined with a gloomy and ominous air mirrors that of Bly house, the location for this most harrowing synthesis of theatre and music. Our production will intensify both the atmosphere of the building and the drama of the opera by bringing them together to create a remarkable aesthetic experience. Parts available: The Governess – soprano Peter Quint – tenor Flora – soprano Mrs. Grose – soprano / mezzo Miss Jessel – soprano Prologue - tenor Auditions will be held at 16.00 – 21.00 on Wed 4th, Thurs 5th and Fri 6th February (venue TBA). Please come prepared, an accompanist will be provided. Contact our producer Edmund on <a href="mailto:emi23@cam.ac.uk">emi23@cam.ac.uk</a> to arrange an audition time. jsk37 on "Auditions For New Opera-nebuchadnezzar" http://www.cammuso.org.uk/forums/topic/171#post-180 Mon, 13 Oct 2008 20:14:47 +0000 jsk37 180@http://www.cammuso.org.uk/forums/ Next weekend (18/19 oct) we are holding auditions for a short (c. 20mins) new chamber opera based on the life of the MAD KING NEBUDCHANEZZAR, to be performed in week 7 in Peterhouse Theatre. This could be a really fun and exciting new piece of work, with music smacking of weill, palestrina, berg, bob dylan and ligeti-so come! Libretto by Freddy Syborn and Music by James Keay. We are looking for a tenor and three sopranos. Email jsk37 for details if you're interested. iag25 on "Suor Angelica Auditions" http://www.cammuso.org.uk/forums/topic/170#post-179 Fri, 10 Oct 2008 13:00:20 +0000 iag25 179@http://www.cammuso.org.uk/forums/ Cambridge Beethoven Ensemble Suor Angelica 9pm, 20th, 21st and 23rd November Trinity College Chapel Director: James Hurley Conductor: Daniel Hill Producer: Isabella Gage This is one of Puccini's most beautiful and intimate operas. Written as the middle act of his Il Trittico, Suor Angelica was Puccini's personal favourite of the three. Set in a convent in the latter part of the 17th Century, it tells the story of Sister Angelica who was sent from her family in disgrace some years earlier. The opera begins with the day-to-day life of the nuns, interrupted by the arrival of The Princess, Sister Angelica's Aunt. The Princess has come to inform Sister Angelica that her sister is to be married and that she must renounce her claim to the family inheritance. Sister Anglica asks after her son, only to be told he is dead. Overcome with grief, Sister Angelica kills herself; the opera ends with a vision of her son appearing before her surrounded by light. The cast of 14 sopranos and altos is made up from the very best young singers from the Cambridge Chapel Choirs and London Conservatories, and the production team is highly experienced. Auditions: 16th and 17th October, 8-10.30pm, West Road Music Faculty This is an all female cast, so we are looking for sopranos and altos. Please prepare a short piece or extract written after 1800. For more information or to book a ten minute slot for your audition, please send a short CV detailing your musical experience to Isabella Gage (iag25@cam.ac.uk). kh324 on "Do You Want To Be On The Cuos Committee?" http://www.cammuso.org.uk/forums/topic/167#post-176 Wed, 08 Oct 2008 09:11:31 +0000 kh324 176@http://www.cammuso.org.uk/forums/ Cambridge University Opera Society is looking for creative, ambitious, and organised individuals to serve on its committee for the year 2008-9. We would like to fill specific positions (Chairman, treasurer, web-site manager, secretary) as well as general committee membership. Elections will be held at the CUOS re-launch party on 21 October. For more details, or to apply, please email Rosie Parker, Acting Chairman (rp350@cam.ac.uk). See also <a href="http://www.cuos.org.uk" rel="nofollow">www.cuos.org.uk</a> tkw23 on "Vacancy, Classical Opera Company: Intern" http://www.cammuso.org.uk/forums/topic/156#post-165 Fri, 18 Jul 2008 15:04:36 +0000 tkw23 165@http://www.cammuso.org.uk/forums/ Vacancy – Intern The Classical Opera Company is one of the country’s leading independent opera companies. We are seeking an intern to help two days per week with all aspects of the day-to-day running of the organization, providing support and assistance where required. Working as part of a small team, you will assist with many aspects of the administration of the company, helping with event organization, research and maintaining and developing databases. This position provides an excellent background for those interested in pursuing a career in arts administration and the world of classical music; the majority of previous Classical Opera Company interns have quickly gone on to secure excellent positions soon after completing their time with the company. This is a non-salaried internship, but a travel and subsistence allowance is paid. To apply, please email your CV and a covering letter to Penny Desbruslais - Administrator, at <a href="mailto:info@classicalopera.co.uk">info@classicalopera.co.uk</a>, detailing how your skills and experience might be useful, what you would hope to learn from such a position, and what you feel that you can offer to the Classical Opera Company. fk240 on "Monteverdi's Orfeo In 2009 - Audition Call" http://www.cammuso.org.uk/forums/topic/148#post-156 Wed, 18 Jun 2008 00:25:10 +0000 fk240 156@http://www.cammuso.org.uk/forums/ Cambridge University Baroque Ensemble is pleased to announce auditions for a major staged operatic production next academic year: 'ORFEO' by CLAUDIO MONTEVERDI at the ADC THEATRE, Week 2, Lent Term 2009 (27th-31st January) Initial Auditions - Friday 20th June. ************************************************* *The Production* This ambitious production will feature a large Renaissance orchestra and offer cast members the opportunity to work alongside a professional team of leading Cambridge early music specialists. Performed in English, 'Orfeo' will feature a new, especially-prepared singing translation of this timeless story. Visually, the opera will be equally ambitious - fully staged, and making comprehensive use of the ADC Theatre's potential for set, costume, lighting and technical wizardry - a true showpiece of the 2008-09 season. The roles of the opera are as follows: Orfeo - Tenor, Euridice - Soprano, Musica - Soprano, Messenger - Soprano/Mezzo-soprano, Hope - Soprano, Charon - Bass, Persephone - Soprano, Pluto - Bass, Apollo - Tenor, Ensemble – SSATB, from which up to ten smaller solo roles (Shepherd/Nymph/Spirit) will be drawn. Rehearsals will take place steadily throughout the Michaelmas and early Lent terms, with a short intensive rehearsal period before term starts in January. We are seeking singers able and enthusiastic to become fully immersed in the production; it's music, sound-world, movement and staging. The core production team is as follows: Musical Director - Francis Knights (fk240), Assistant Musical Director – Dr Dan Tidhar (dut20), Orchestral Leader – Dr David Irving (drmi2), Stage Director - Claire V.S. Pike (cvsp2), Producer - Robert Nimmo (rn269) *Auditions* Initial auditions will take place this Friday, 20th June, 11 - 2pm in central Cambridge. If you are interested in auditioning and able to attend on this date, please email <a href="mailto:cvsp2@cam.ac.uk">cvsp2@cam.ac.uk</a> to book a slot, indicating your voice type and preferred audition time. If you wish to audition but cannot do so on the 20th, please email (cvsp2@cam.ac.uk) to register your interest as we will be arranging further audition dates. Please bring a suitable piece to sing for the audition, such as a Baroque aria or Dowland lute song. You are welcome to bring an accompanist, but otherwise one will be provided (please bring two copies of your music). We very much look forward to hearing from you for what promises to be an extremely exciting project! *Orchestra and Production Team* There will be separate calls for Instrumentalists, Dancers and Production Team shortly, but anyone potentially interested in such performing or back-stage roles is welcome to get in touch (cvsp2@cam.ac.uk) now. The orchestra will consist of continuo (harpsichords, organ, lutes, harp), strings, wind/brass (recorders, cornetts, trombones) and percussion. dtr24 on "Designer And Stage Manager Wanted" http://www.cammuso.org.uk/forums/topic/133#post-141 Sun, 18 May 2008 11:30:41 +0000 dtr24 141@http://www.cammuso.org.uk/forums/ From the team that brought you Three Portraits of Nero last year, three new chamber operas on the subject of 'Retelling' will be performed in the Fitz Auditorium on the 13/14th June. We are looking for a designer to be involved with publicity and stage design, and a stage manager to oversee all things backstage during performances. If you are interested, please contact the producer (dtr24) or director (deborah.grayson@gmail.com). cd377 on "Call For Auditions - Cuos May Week Opera 2008" http://www.cammuso.org.uk/forums/topic/87#post-94 Mon, 25 Feb 2008 10:54:45 +0000 cd377 94@http://www.cammuso.org.uk/forums/ CAMBRIDGE UNIVERSITY OPERA SOCIETY announces auditions for its ANNUAL MAY WEEk OPERA production, to be performed on 13 and 14 JUNE, 2008 This year's May Week opera is an exciting production of SAVITRI by Gustav Holst in the Round Church, to be staged alongside the same composer's HYMNS FROM THE RIG VEDA (3rd Group). The libretto of this opera is taken from the great Indian epic: the Mahabharata. In this moving story that takes place in the forest, Savitri, wife of Satyavan, hears the voice of Death calling to her announcing the imminent death of her husband. Not long after, Satyavan does indeed fall dead, and Death takes it upon himself to visit Savitri. Moved by her greeting, Death will grant Savitri any boon she chooses, and she asks for life in its fullness. After he has granted this boon, Savitri explains how it is impossible for that life to be without Satyavan. Death is so moved by Savitri's plea that he is left with no choice but to bring Satyavan back to life. As a prelude to this story there will be a dramatic staging of Holst's Hymns from the Rig Veda that will literally and figuratively prepare the stage for the opera, providing an evening of immersion in both Host's exquisite sound world and these ancient texts. Auditions will be held on SATURDAY 8TH MARCH (9AM-12PM) and SUNDAY 9TH MARCH (9AM-6PM) in the BATEMAN AUDITORIUM, Gonville and Caius College. To set up an audition please contact our producer Katie Schofield (ks475@cam.ac.uk) in advance to arrange a time (auditions will last no more than 15 minutes), indicating whether you will require an accompanist and, if possible, what repertoire you will perform. Singers are asked to audition with one or two piecec of their choosing whose dramatic content applies to the relevant role for which they are singing. Of course, material from the opera itself is welcome at the auditions too. Roles available are: SAVITRI (soprano) - Savitri is the only character who is onstage for the whole opera and spends a great deal of time alone in that space. She shows extraordinary devotion and commitment to her husband, and displays a quiet heroism and stoic intensity throughout, tempered by occasional moments of passionate exclamation and desire, as well as moments of great pathos and tenderness. Singers interested in auditioning for this role should sing a piece that demonstrates a range of emotions, or preferably charts a specific, simple emotional journey that can be conveyed to the panel in performance (e.g. despair to hope, hate to love, sadness to joy, denial to acceptance). Pieces from any period or language are welcome, though singers are encouraged to audition with a piece of Lieder or C20th English song. SATYAVAN (tenor) - Satyavan is primarily a heroic tenor and requires a singer who can demonstrate a boyish confidence, enthusiasm, and general love of life. During the course of the opera, Satyavan dies and is brought back to life, and a singer should be aware that the panel will also be looking for a singer who can also demonstrate a certain level of self-doubt, confusion, and vulnerability in their performance. Singers are welcome to apply with a piece from any period or language. Music that is somewhat folk-like is particularly suitable. DEATH (baritone/bass) - Despite what the role's name may suggest, the part of Death does not require a singer with a particularly large, or indeed, low-lying vocal range. More important is that a singer demonstrates strong diction and articulation in their performance, as Death sings many of his earlier lines from offstage. Death is a more 'human' character than might be first expected, and singers are encouraged to choose a piece that need not only demonstrate power and strength, but also self-doubt, vulnerability, and emotional dependency and commitment. Pieces from any period are welcome, though English-language songs and arias are preferable. CHORUS OF FEMALE VOICES - The chorus will have a large role to play in the opera. In addition to the Choral Hymns that will be performed at the start of the show (these will be staged, and may even include some dance), the chorus has an extensive part during the opera itself as an essential element of the musical texture. Singers who are interested in auditioning just for the chorus are invited to sing a piece of any type from any period that best demonstrates their vocal ability and potential. Female singers who apply for the part of Savitri may also be considered for the chorus. Please feel free to contact the core production team with any questions you may have about audition procedure or repertoire. We look forward to hearing from you. Carlos del Cueto (conductor, <a href="mailto:cdelcueto@mac.com)">cdelcueto@mac.com)</a> James Hurley (director, <a href="mailto:jah96@cam.ac.uk)">jah96@cam.ac.uk)</a> Katie Schofield (producer, <a href="mailto:ks475@cam.ac.uk)">ks475@cam.ac.uk)</a> --- clvk2 on "L'amfiparnaso - Singers Wanted!" http://www.cammuso.org.uk/forums/topic/78#post-85 Sat, 16 Feb 2008 22:37:00 +0000 clvk2 85@http://www.cammuso.org.uk/forums/ *** Sex, love and comedy in Renaissance Venice *** Orazio Vecchi's madrigal comedy, 'L'Amfiparnaso,' comes to Cambridge next term, and we need six singers to perform our Italian extravaganza! Good sight-reading is not essential, but you must be comfortable singing one-to-a-part. We need blushing maids and likely lads with a love of musical theatre. Auditions are on the 23rd and 24th February, see our facebook group for more details (http://hs.facebook.com/group.php?gid=35026965432). Email <a href="mailto:clvk2@cam.ac.uk">clvk2@cam.ac.uk</a> by midnight on Thursday 21st February with your name, college and voice-type for your chance to take part! bdjc2 on "Catz Opera Auditions!!!" http://www.cammuso.org.uk/forums/topic/55#post-62 Thu, 24 Jan 2008 20:16:52 +0000 bdjc2 62@http://www.cammuso.org.uk/forums/ Calling all TENORS and BASSES!! If you'd like to be part of an incredible semi-staged production of Handel's 'Acis and Galatea', put on by Catz Opera Society, please do get in touch with Ben Cox (Junior Organ Scholar) using <a href="mailto:bdjc2@cam.ac.uk.">bdjc2@cam.ac.uk.</a> DEADLINE FOR APPLICATIONS - WEDNESDAY 30th JANUARY! bdjc2 on "Catz Opera Auditions!!" http://www.cammuso.org.uk/forums/topic/54#post-61 Thu, 24 Jan 2008 20:15:48 +0000 bdjc2 61@http://www.cammuso.org.uk/forums/ Calling all TENORS and BASSES!! If you'd like to be part of an incredible semi-staged production of Handel's 'Acis and Galatea', put on by Catz Opera Society, please do get in touch with Ben Cox (Junior Organ Scholar) using <a href="mailto:bdjc2@cam.ac.uk.">bdjc2@cam.ac.uk.</a> DEADLINE FOR APPLICATIONS - WEDNESDAY 30th JANUARY! bdjc2 on "Catz Opera Auditions!!" http://www.cammuso.org.uk/forums/topic/53#post-60 Thu, 24 Jan 2008 20:13:00 +0000 bdjc2 60@http://www.cammuso.org.uk/forums/ Calling all TENORS and BASSES!! If you'd like to be part of an incredible semi-staged production of Handel's 'Acis and Galatea', put on by Catz Opera Society, please do get in touch with Ben Cox (Junior Organ Scholar) using <a href="mailto:bdjc2@cam.ac.uk.">bdjc2@cam.ac.uk.</a> DEADLINE FOR APPLICATIONS - WEDNESDAY 30th JANUARY! kh324 on "Cuos Committee Wanted" http://www.cammuso.org.uk/forums/topic/19#post-25 Sun, 04 Mar 2007 21:30:57 +0000 kh324 25@http://www.cammuso.org.uk/forums/ Cambridge University Opera Society is looking for creative, ambitious, and organised individuals to serve on its committee for the year 2007-8. We are looking to fill specific positions (Chairman, web-site manager, secretary) as well as general committee membership. CUOS, with an illustrious history of operatic activities spanning over half a century, is a prestigious society with which to be involved. For many years now, its financial stability has allowed it to stage large-scale productions. In recent years, its activities have become two-pronged, in serving the general aim of fostering opera in Cambridge: in addition to operatic productions (which now include extensive education programmes), CUOS provides events for members in the form of masterclasses, concert performances, informal performing opportunities, and opera trips, socials. Take a look at our website: <a href="http://www.cuos.org.uk" rel="nofollow">www.cuos.org.uk</a> (though please bear in mind that it is currently under-going re-organisation). Do you think you would like to be part of this? For further details, contact the Chairman, Katherine Hambridge (kh324) or the Secretaries Emilia Hughes (emkh2) or David Humphreys (dpjh3). All applicants must contact us, with a resume of your experience/qualities, by MARCH 16. kh324 on "Cuos Lent Term Programme" http://www.cammuso.org.uk/forums/topic/17#post-22 Mon, 19 Feb 2007 12:06:08 +0000 kh324 22@http://www.cammuso.org.uk/forums/ CUOS LENT TERM PROGRAMME *Saturday 24th February 2pm (Caius Senior Parlour) Opera Masterclass with international soprano Professor Susan McCulloch ARCM (Hons) Opportunities to work on an operatic aria of your choice (of about 3/4 minutes' length, otherwise you'll never get through it!) with one of England's top performers and teachers. FREE to members, ?10 to non-members (with membership at ?5, I'll leave you to draw your own conclusions). See below for Susan's resume. Please reply to Emilia Hughes (emkh2@cam.ac.uk) if you are interested. *Saturday 3rd March, evening, Newnham College CUOS Annual Dinner An elegant evening to bring people together in a sociable setting - do come and get to know the CUOS committees. This will also be a chance to say well done to the Hansel and Gretel team. Please reply to Claire Pike (cvsp2@cam.ac.uk) to book your place. She will be sending round menu and price shortly. *Monday 5th March - Trip to ENO's La Boheme CUOS receives a 25% discount on tickets, so take advantage of this and go with friends. ENO's production is reviving Steven Pimlott's powerful updating of Puccini's Parisian love story with a formidable British cast under the leadership of the thrilling young conductor Xian Zhang. Visit <a href="http://www.eno.org.uk" rel="nofollow">www.eno.org.uk</a> for more details. Email Michael Phillips on <a href="mailto:mjp61@cam.ac.uk">mjp61@cam.ac.uk</a> to register your place. *Sunday 11 March, 8pm, Emma Old Library Opera Concert This is a chance for singers of all levels of experience/confidence to get a performance opportunity in a friendly environment. Basically, if you have a piece you would like to sing, we can fix you up with an accompanist, and we will draw up a programme of everyone's contributions. These have been great fun and hugely successful in the past. Don't be shy. Please email Mark Galtrey (mjg73@cam.ac.uk) if you would like to participate. kh324 on "Opera Production Opportunities With Cuos" http://www.cammuso.org.uk/forums/topic/12#post-17 Fri, 26 Jan 2007 08:49:01 +0000 kh324 17@http://www.cammuso.org.uk/forums/ Cambridge University Opera Society is pleased to invite applications for two production opportunities: * May Week production 2007. Of necessity, a small-scale production in terms of set, budget and forces, though high artistic standards are expected; rehearsals are not confined to May Week. One or two performances expected. * Main Lent Term 2007/8 Production. Dates are booked at the West Road concert hall for 20-23rd February 2008. This can be a large-scale opera from any era. In addition, CUOS is always open to original proposals outside of the above. CUOS is able to provide the financial backing, resources and experience to enable large-scale artistic endeavours in Cambridge. By bringing together those with the different skills and interests involved in opera, be they musical, dramatic, artistic, technical or organisational, CUOS provides a focus for the wealth of talent, energy, and experience in Cambridge. Few student activities are so ambitious - or rewarding - as opera. Applications should include core production team and repertoire. You will be given a chance to present your proposal at an interview with representatives of the CUOS committee. Please apply to the CUOS secretaries, Emilia Hughes (emkh2) or David Humphreys (dpjh3) by FEBRUARY 10th.